I call it glam goth: Adam Lambert at the the American Music Awards, Lady Gaga’s photoshoot for Out magazine, Miley Cyrus in black eyeliner, Rihanna in a hasp collar, and sparkly vampires. Peter Murphy’s cameo in New moon is a long way from the opening scene of the Hunger. Bela Legosi really is dead. Goth is dead. Long live the new goth.
The gothsters (hipsters but wearing vinyl and platform heels) moan and groan that it’s not really goth. That it’s faux-goth. It’s surface level goth like Rihanna’s little foray into fetish wear in her Disturbia video.
Goth is much deeper and more meaningful like the Cure’s Lovecats.
Besides, goth isn’t fashion. It’s about the music. Of course, that music ranges from early darkwave to industrial to it’s current EBM/electropop phase. It’s goth if it gets played in at goth clubs? I guess this means Nirvana was goth for the 2 years the deejays overplayed Smells Like Teens Spirits.
Goth has always been about the exploration and acceptance of the darker nature of things. Who’s to say one person’s search is more valid than another’s?
The current economy coupled with the realization that some things will never be fixed is getting the mainstream to take a hard look at the Yin. Goth isn’t doom-and-gloom. Goth is the permission to look at those things that balance the light.
With the success of New Moon, which almost made more than the new Batman on opening weekend, Hollywood is repackaging goth (NCIS, the Vampire Diaries, Interview with a Vampire remake with Robert Downey Jr.) as I’m writing this. Last weekend, my friend Brad brought his corporate co-workers to one of the goth nights. The mainstream is flocking to see what the fuss is about.
It’s nice to see people learn to play in the dark. Just as long as it’s not slit-your-wrist dark because that would be emo and that’s faux-goth, too.
